AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We’re the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

A white historical marker with black text for Benjamin Banneker's birthplace and home.

Benjamin Banneker on Solar Eclipses

1789

Read Banneker’s letter analyzing the science of eclipses.

Primary Source

Drawing of various sections of the cicada.

Benjamin Banneker’s Study of the Cicada

1800

Read Banneker’s derivation of the seventeen-year cycle of the cicada, one of the first scientists to make this observation.

Primary Source

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain’t Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

A black-and-white photograph of three women, Audre Lorde, a Black woman with an afro at left; Meridel Lesueur, a White woman with white hair and glasses in the center; and Adrienne Rich, a White woman with short black hair, at right.

Black Feminism: A History of Theory and Activism

by Dayo F. Gore

Learn more about the Combahee River Collective and other groups and individuals involved in shaping Black feminism in the twentieth century.

Essay

Front page of the Spotlight on Africa newsletter for April 20, 1954, featuring a group of Black women sitting and standing in a group photo.

Black Internationalism and the Expansive Meanings of Freedom

by Merve Fejzula

Learn more about how those in the Black Freedom struggle came together across the African continent and diaspora in the 1930s through the 1970s.

Essay

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

Black men in dark suits and ties (some neckties, some bowties) holding bundled stacks of newspapers on the steps of a brick building topped with a crescent and the words "Muhammad's Temple No. 2."

“Muhammad Speaks” Newspaper Salesmen

1965

View a photograph of the Nation of Islam's official newspaper being prepared for sale.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

A color photograph of a row of ten female Grandassa models with natural, afro-style hair wearing dresses made from brightly colored African-inspired motifs. Three men standing on a small podium behind the models are wearing patterned dashiki shirts. The dark blue wall behind them is covered with posters advertising Black theater performances, shows, and celebrations.

Naturally ’68 at the Apollo Theater

ca. 1968

View a photograph from a key convergence of artists and models amid the Black is Beautiful movement.

Primary Source

Typed Black Panther Ten-Point platform in a newspaper.

The Black Panther Party’s Ten-Point Program

1966

Read the Black Panther Party’s guiding manifesto.

Primary Source

A Black girl wearing sunglasses, a white blouse, and a white and black/white checkered skirt, holds a book in the crook of her left arm while walking to school. A White girl in the background screams at the Black girl as other White boys and girls, and men wearing helmets, look on.

“Little Rock”

1958

Read this poem written by Afro-Cuban poet Nicolás Guillén after the Little Rock Crisis.

Primary Source