AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Scan of a page from Phillis Wheatley's book of poems, 1773.

Phillis Wheatley’s poem on tyranny and slavery

1772

Take a deep dive into one of Wheatley's best-known poems.

Primary Source

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We're the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

A white tile mosaic mural of several Black people airborne above buildings.

“Flying Home: Harlem Heroes and Heroines”

by Faith Ringgold

View a fantastical homage to Harlem history through this work of art in the New York City subway.

Work of Art

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

The sign for The Crossroads, featuring a ring of three blue guitars (each facing a different direction) on the bottom and the highways 61 and 49 signs above.

Clarksdale: Myth, Music, and Mercy in the Mississippi Delta

by Shelley Ritter

Read about musician Muddy Waters, the blues, and the historical exhibits at the Delta Blues Museum in Clarksdale, Mississippi.

Essay

Photograph of a mural of Robert Johnson (a Black man holding a guitar while wearing a dark suit, white shirt, dark tie, and dark hat), painted in black and white and framed by wisps of smoke, on a purple wall.

Robert Johnson and the Rise of the Blues

by Elijah Wald

Read about Robert Johnson and the rise and evolution of blues music.

Essay

Three young Black men wearing tracksuits and white gloves dancing as another young Black man inverts his body on a piece of cardboard. Behind them is a graffitied wall.

Breakdancers in New York

1984

View an example of b-boy culture from 1980s New York.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in The Liberator

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

Front page of The Colored American newspaper

“Why We Should Have a Paper”

1837

Read the founding manifesto of The Colored American newspaper.

Primary Source

A black-and-white engraving of Solomon Northup, a Black man wearing a white hat, shirt, and pants, sitting on a box, a broomstick leaning against his left arm. Below the image, the name Solomon Northup in handwriting and the words "In his plantation suit"

Solomon Northup Remembers the New Orleans Slave Market

1853

Read an excerpt from Northup’s autobiographical account, Twelve Years a Slave.

Primary Source