AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Sepia photographic portraits of a man and a woman; the woman is wearing a white shirt with checked trim and an earring; the man is bare-chested, with well-defined musculature. Both have traditional scarification on their cheeks.

“Escrava Mina” and “Escravo Mina”

1864

View two photographs of enslaved people in Brazil.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in “The Liberator”

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

Front page of The Colored American newspaper

“Why We Should Have a Paper”

1837

Read the founding manifesto of The Colored American newspaper.

Primary Source

A stipple portrait of a mustachioed man identified as "Negro Abraham" wearing a fringed coat and turban, holding a staff in his right hand

“Negro Abraham”

1863

View a depiction of a Black Seminole leader.

Primary Source

An engraving of a Black man identified as "Gopher John." wearing a feathered headdress and tunic. standing on a riverbank as two people paddle a canoe in the background

“Gopher John, Seminole Interpreter”

1863

View a depiction of this Seminole leader and interpreter.

Primary Source

A wood sculpture, painted black, in the form of a standing female figure with arms at sides apart from torso, hands on hips, and feet and legs apart; on her head there is a double-ax motif.

Yorùbá Oshe Shango Ceremonial Wand

19th or 20th Century

View this contemporary piece honoring a traditional Yoruba god.

Work of Art

A green book cover with gold text reading "Harriet, the Moses of Her People"

Harriet, the Moses of Her People

1886

Read an authorized description of Tubman’s escape written by a White woman who had interviewed Tubman.

Primary Source

Title page of The Refugee: or the Narrative of Fugitive Slaves in Canada

Harriet Tubman’s reflection in The Refugee

1856

Read Tubman’s memories of enslavement and freedom in her own words.

Primary Source

A large shallow, round tray shaped basket made of reeds, rush and palmetto coiled and woven together. A faded purple string is woven through the basket on one side and knotted inside the basket.

Rice Fanner Basket

pre-1863

View this artifact of rice cultivation by enslaved people on the South Carolina coast.

Primary Source

A Black Haitian general (wearing a pointed and feathered hat, dark coat with tails and epaulets, white pants, and dark boots) holding a book next to other troops, as a priest in formal robes and holding a staff looks above toward an image of God.

Preliminary Declaration from the Constitution of Haiti

1805

Read a translation of some of Haiti’s founding principles as an independent nation.

Primary Source

A handwritten petition in cursive.

Arkansas Petition for Freedmen’s Rights

1869

Read a petition on behalf of formerly enslaved African Americans on indigenous territory requesting tribal citizenship and benefits.

Primary Source