AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Two Black women wearing light-colored coats look into a glass vitrine case with the title "Arthur A Schomburg, 1874–1938." Atop the case is a matted photograph of Arturo [Arthur] Schomburg.

“The Negro Digs Up His Past”

1925

Read this essay by Afro-Latino historian and collector Arturo Schomburg.

Primary Source

From left to right: Fodé Lassana Diabaté, a Black man wearing a light-colored tunic and dark red shirt, playing the balafoon (a struck instrument similar to a xylophone); Hawa Kassé Mady Diabaté, a Black woman wearing a patterened cloth dress and red headscarf, singing with arms outstretched, and Chérif Keita, a Black man in a blue robe, smiling.

The Sunjata Story: Glimpse of a Mande Epic

with Fodé Lassana Diabaté, Hawa Kassé Mady Diabaté, and Chérif Keita

Explore the story of Sunjata Keita through this performance.

Video

A man wearing a white shirt and pants begins a handstand as a band plays in the background and others look on.

Two Depictions of Capoeira

ca. 1835/2017

View how capoeira has persisted in the culture of Brazil over nearly two hundred years.

Primary Source

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain't Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

Map of West and North Africa along the Mediterranean coast, with trade routes and kingdoms noted through illustrations.

The Catalan Atlas

1375

View a Euro-centric impression of Africa, including the ruler Mansa Musa, through this map and essay.

Work of Art

A color photograph of a row of ten female Grandassa models with natural, afro-style hair wearing dresses made from brightly colored African-inspired motifs. Three men standing on a small podium behind the models are wearing patterned dashiki shirts. The dark blue wall behind them is covered with posters advertising Black theater performances, shows, and celebrations.

Naturally ’68 at the Apollo Theater

ca. 1968

View a photograph from a key convergence of artists and models amid the Black is Beautiful movement.

Primary Source

A wide-mouthed brown earthenware jar with two handles and writing inscribed on the surface.

Storage Jar

1858

View this example of David Drake’s masterful pottery.

Work of Art

A large shallow, round tray shaped basket made of reeds, rush and palmetto coiled and woven together. A faded purple string is woven through the basket on one side and knotted inside the basket.

Rice Fanner Basket

pre-1863

View this artifact of rice cultivation by enslaved people on the South Carolina coast.

Primary Source

A cream quilted bedcover with appliqued red diamonds, circles, and crosses and edges bound with red

Cream and Red Appliqued Quilted Bedcover

ca. 1850

View this work of African American quilting.

Work of Art

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in “The Liberator”

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

Front page of The Colored American newspaper

“Why We Should Have a Paper”

1837

Read the founding manifesto of The Colored American newspaper.

Primary Source

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We’re the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source