AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

From left to right: a Black woman wearing a white vest and plaid pants kneeling with head raised; John Lewis, a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed while holding a notepad in his left hand; a Black girl wearing a white shirt, shorts, and shoes, kneeling with head bowed; and a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed. All are in front of a brick building with ground-floor windows.

John Lewis at a Prayer Demonstration

1962

View a photograph of members of the SNCC kneeling in prayer in Cairo, Illinois.

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A black-and-white photograph of an elderly Black man in a white robe and black kufi hat sitting with eyes closed, plucking a guitar made of a calabash squash.

“Griot Basimana, Mali”

1970

View this photograph, an example of the persistence of African learning traditions.

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Medal podium at the 1968 Olympic Games. Tommie Smith (the gold medalist, center), a Black man, is wearing a dark blue Team USA jacket (with red and white trim), the gold medal around his neck, and his right hand in a Black Power salute with a black glove on his clenched right fist. John Carlos (bronze medalist, right), a Black man, is also wearing a Team USA uniform (with an unzipped jacket) and mirrors the salute with his left hand. Peter Norman (left), a white man, is wearing a green jacket.

Tommie Smith and John Carlos during XIX Summer Olympics

1968

View a key example of sports as a platform for the Black freedom struggle.

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Elijah Muhammad, a Black man wearing a beret, barely visible above a lectern and a bank of microphones. He is flanked on his stage by two Black men on his right (one in a dark suit, white shirt, and dark bowtie, and another in a Fruit of Islam uniform of beret, dark jacket, and white shirt) and a Black woman (in a white robe and headwear) and Black man (in a dark suit, white shirt, and dark necktie), and behind him are several Black men in dark suits and ties and Black women in white robes and headwear.

Elijah Muhammad Addressing Black Muslims

1966

View Elijah Muhammad, leader of the Nation of Islam, speaking to congregants.

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A button reading "Black is Beautiful," with black text on a white background.

“Kathleen Cleaver on Natural Hair”

1968

Learn more about this element of Afrocentric aesthetics and the embrace of “Black is Beautiful.”

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An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

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A green book cover with gold text reading "Harriet, the Moses of Her People"

Harriet, the Moses of Her People

1886

Read an authorized description of Tubman’s escape written by a White woman who had interviewed Tubman.

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Title page of The Refugee: or the Narrative of Fugitive Slaves in Canada

Harriet Tubman’s reflection in The Refugee

1856

Read Tubman’s memories of enslavement and freedom in her own words.

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An engraving of a bust of a bearded Black man wearing a black suit, white shirt, and dark bow tie, in three-quarter view looking toward the left

“An Address to the Slaves of the United States”

1843

Explore this speech, rejected by the National Colored Convention.

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Etta Moten Barnett, a Black woman wearing a multicolored dress and white necklace, standing next to the metal gates in front of her house.

Etta Moten Barnett and Martin Luther King, Jr. in Ghana

1957

Hear from King during his visit to Ghana, in conversation with actress, musician, and journalist Etta Moten Barnett.

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Cover of the 1830 pamphlet edition of Walker's Appeal ... to the Colored Citizens of the World printed in Boston

“Walker’s Appeal”

1829

Black abolitionist David Walker wrote a powerful pamphlet on the effects of enslavement on African Americans and what enslaved people should do to escape.

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The cover of a conference program of green text on a black background reading [diagonally] "Black Studies: Paradox With a Promise" at left, and a large green question mark with "Who," "Where," "When," and "How" written in the mark. "Black Studies National Conference: Southeastern, U.S.A." at the top and "University of North Carolina at Charlotte, Charlotte, N.C., March 18-21, 1975" at the bottom

First National Council for Black Studies Annual Conference

1975

Get a greater sense of questions and issues in the field of African American studies through this conference program.

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