AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Scan of a page from Phillis Wheatley's book of poems, 1773.

Phillis Wheatley’s poem on tyranny and slavery

1772

Take a deep dive into one of Wheatley's best-known poems.

Primary Source

A color photograph of a corner store with a two-toned green wall with two signs, one reading "Wadajir Grocery, Finest Halal Meats" and the other "Mediterranean Deli, Best Gyros in Town"

Diversity in Contemporary Black Communities

by Mamadi Corra

Learn more about shifts in the foreign-born Black population and its consequent impacts on the diversity of African Americans today.

Essay

A Black man smiling while wearing a black suit, light blue shirt, and patterned red tie.

A Founder’s Journey from Slave Trader to Abolitionist

with Michael Thurmond

Learn how James Oglethorpe, founder of Georgia, helped to secure Ayuba bin Suleiman Diallo’s freedom.

Video

A white tile mosaic mural of several Black people airborne above buildings.

“Flying Home: Harlem Heroes and Heroines”

by Faith Ringgold

View a fantastical homage to Harlem history through this work of art in the New York City subway.

Work of Art

/ap-african-american-studies/unit-3/twentieth-century-black-migration/urban-rural-communities-1890-1930

African Americans in Urban and Rural Communities, 1890–1930

by Michael Siegel and Rutgers Cartography

Visualize data that shows the impact of the Great Migration.

Thematic Map

A yellowed four-fold pamphlet featuring the photograph (at top left) of Stanley Dones, a Black man wearing a dark jacket, white shirt, and dark tie, placing his right hand upon his chin.

Black Land Ownership in the Jim Crow Era

with Alison Rose Jefferson and Sandra Trenholm

Explore the history of the Black-owned Eureka Villa housing development in 1920s California.

Video

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

The sign for The Crossroads, featuring a ring of three blue guitars (each facing a different direction) on the bottom and the highways 61 and 49 signs above.

Clarksdale: Myth, Music, and Mercy in the Mississippi Delta

by Shelley Ritter

Read about musician Muddy Waters, the blues, and the historical exhibits at the Delta Blues Museum in Clarksdale, Mississippi.

Essay

Photograph of a mural of Robert Johnson (a Black man holding a guitar while wearing a dark suit, white shirt, dark tie, and dark hat), painted in black and white and framed by wisps of smoke, on a purple wall.

Robert Johnson and the Rise of the Blues

by Elijah Wald

Read about Robert Johnson and the rise and evolution of blues music.

Essay

A broadside shows multiple diagrams of a single ship seen from different views. The views illustrate hundreds of captive Africans laying down shoulder to shoulder on multiple layers of the ship.

Slavery and Abolition

1788, 1789

Explore primary sources that worked as propaganda tools for the anti-slavery movement.

Guided Readings

A certificate, with a seal at left reading "Lex in Tenebris" in Latin surrounding a schooner, a flying dove holding a piece of paper reading "Liberia," and a rising sun in the right of the seal. At right, palm tree leaves, with the signature of James Madison below.

American Colonization Society membership certificate

1833

Learn more about this document signed by James Madison.

Primary Source

Aged paper with text of different sizes and fonts, the top of which says, "178 Sugar and Cotton Plantation Slaves!"

Auction catalog of enslaved people from Louisiana

1855

Explore this primary source to learn about the process of buying and selling enslaved people in 1855.

Primary Source