AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A train platform with, at center, a wrought-iron sculpture of a man wearing a suit and hat while holding a suitcase.

“Hear the Lone Whistle Moan” / “copacetic”

by Alison Saar

View two pieces paying homage to the Harlem Renaissance.

Work of Art

A tile mosaic in a subway station of drum majors in white uniforms dancing in formation.

“PARADE”

by Derek Fordjour

View an homage to historic parades through Harlem in this mosaic created in the New York City subway system.

Work of Art

A white tile mosaic mural of several Black people airborne above buildings.

“Flying Home: Harlem Heroes and Heroines”

by Faith Ringgold

View a fantastical homage to Harlem history through this work of art in the New York City subway.

Work of Art

Two African American pioneer families in foreground with two children playing on left, two women and a small child near a covered wagon at center and two men drinking coffee around a campfire by a stream.

“Camping Time”

by John Coleman

View a depiction of Black migration during Reconstruction.

Work of Art

Lead Belly, a Black musician, playing a guitar and singing into a microphone in front of a dark background.

Blues in the 1930s and 1940s

by David Evans

Explore the evolution of the blues in this era.

Essay

A wedding near a fireplace. The groom is a Black man wearing a dark coat, white pants, and a white shirt. The bride is a Black woman wearing a white dress. Groomsmen and bridesmaids are behind the couple, and the officiant (wearing a dark coat and pants and holding a book) is faced in the couple's direction. Behind the officiant are more witnesses, a bassist, and a clarinetist (the latter musicians sitting).

Dressing Freedom: The Wedding Clothing of Freed People

by Brenda E. Stevenson

Explore the importance of wedding clothing for freed people during Reconstruction.

Essay

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

Augusta Savage, a Black woman, smiling and looking to her left as she holds a small sculpture of an antelope or similar creature in her hands.

Searching for Augusta Savage

with Jeffreen M. Hayes

Learn more about Savage’s art amid the New Negro movement and Harlem Renaissance.

Video

Vinyl record with a brown Columbia records label, adorned with red, white, and blue banners, and the title and artist ("Hope I'll Join the Band," Fisk University Jubilee Singers.)

Songs of the Fisk Jubilee Singers

1909–1924

Listen to early recordings of spirituals recorded and popularized by the Fisk Jubilee Singers.

Video

A black-and-white photograph of James Weldon Johnson, a Black man wearing a light colored blazer, white shirt, and dark bow tie, seated at a desk, turning left toward the camera. He is holding a telephone in his left hand.

“Lift Every Voice and Sing” as a Hymn to America

by Noelle Morrissette

Explore the meaning and the impact of James Weldon Johnson and John Rosamond Johnson’s hymn.

Essay