AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Lieutenant Uhura (Nichelle Nichols), a Black woman, wearing her Starfleet uniform (red dress with a black collar and a wavy gold band on each sleeve), with a communications earpiece in her left ear, along with green hoop earrings. She has her hands on a bank of buttons connected to an array of four light screens.

Nichelle Nichols as Uhura in “Star Trek”

1968

Learn more about the impact of Nichols and her television role on Star Trek.

Primary Source

A Black woman wearing a beige jumpsuit with a cinch dancing under a mirrorball reading "Soul Train," as other Black men and women dance around her.

“Soul Train”

1970

Get a sense of Soul Train’s cultural impact through this photograph.

Primary Source

Michelle Obama, presented in a gray skin tone, in a white dress with patches of colored stripes and triangles in front of a powder-blue background. Her right hand rests on her chin as her left hand rests on her knee.

Portrait of Michelle Obama

2018

View Amy Sherald’s portrait of First Lady Michelle Obama.

Work of Art

A portrait of Barack Obama sitting in a brown wooden chair wearing a black suit and white collared shirt. Surrounding President Obama are leaves and flowers of different varieties.

Portrait of Barack Obama

2018

Take a closer look at Kehinde Wiley’s portrait of the first Black president.

Work of Art

Mary Jackson, a bespectacled Black woman wearing a white lab coat over a dark sweater, white shirt, and brooch, writing on a clipboard as engineering instruments surround her.

Mary Jackson at Work

1977

View an image of the first Black woman to be an engineer at NASA.

Primary Source

A black-and-white photograph of an elderly Black man in a white robe and black kufi hat sitting with eyes closed, plucking a guitar made of a calabash squash.

“Griot Basimana, Mali”

1970

View this photograph, an example of the persistence of African learning traditions.

Primary Source

A button reading "Black is Beautiful," with black text on a white background.

“Kathleen Cleaver on Natural Hair”

1968

Learn more about this element of Afrocentric aesthetics and the embrace of “Black is Beautiful.”

Video

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

Primary Source

A Black man smiling while wearing a black suit, light blue shirt, and patterned red tie.

A Founder’s Journey from Slave Trader to Abolitionist

with Michael Thurmond

Learn how James Oglethorpe, founder of Georgia, helped to secure Ayuba bin Suleiman Diallo’s freedom.

Video

Henri Christophe, a Black man, in military uniform (blue double-breasted jacket with tails, white shirt, white pants, yellow boots), holding a sabre and dark hat in his right hand with his left in his jacket pocket.

The First and Last King of Haiti

with Marlene L. Daut

Explore the life, career, and brief reign of Henri Christophe.

Video

A woodcut of a Black woman with short hair, her wrists in shackles, kneeling and looking up, with the phrase “Am I Not a Woman and a Sister?” arched above

“Emigration to Mexico”

1832

Explore a perspective on emigration in The Liberator.

Primary Source

An engraving of a Black man with mutton-chops wearing a dark jacket, dark vest, and white shirt, looking toward the right

Garnet’s Address in Context

by Jake Alspaugh

Understand the origins of Garnet’s speech.

Essay