AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Scan of a page from Phillis Wheatley's book of poems, 1773.

Phillis Wheatley’s poem on tyranny and slavery

1772

Take a deep dive into one of Wheatley's best-known poems.

Primary Source

A Black Haitian general (wearing a pointed and feathered hat, dark coat with tails and epaulets, white pants, and dark boots) holding a book next to other troops, as a priest in formal robes and holding a staff looks above toward an image of God.

Preliminary Declaration from the Constitution of Haiti

1805

Read a translation of some of Haiti’s founding principles as an independent nation.

Primary Source

A Black man smiling while wearing a black suit, light blue shirt, and patterned red tie.

A Founder’s Journey from Slave Trader to Abolitionist

with Michael Thurmond

Learn how James Oglethorpe, founder of Georgia, helped to secure Ayuba bin Suleiman Diallo’s freedom.

Video

The sign for The Crossroads, featuring a ring of three blue guitars (each facing a different direction) on the bottom and the highways 61 and 49 signs above.

Clarksdale: Myth, Music, and Mercy in the Mississippi Delta

by Shelley Ritter

Read about musician Muddy Waters, the blues, and the historical exhibits at the Delta Blues Museum in Clarksdale, Mississippi.

Essay

Photograph of a mural of Robert Johnson (a Black man holding a guitar while wearing a dark suit, white shirt, dark tie, and dark hat), painted in black and white and framed by wisps of smoke, on a purple wall.

Robert Johnson and the Rise of the Blues

by Elijah Wald

Read about Robert Johnson and the rise and evolution of blues music.

Essay

A broadside shows multiple diagrams of a single ship seen from different views. The views illustrate hundreds of captive Africans laying down shoulder to shoulder on multiple layers of the ship.

Slavery and Abolition

1788, 1789

Explore primary sources that worked as propaganda tools for the anti-slavery movement.

Guided Readings

A certificate, with a seal at left reading "Lex in Tenebris" in Latin surrounding a schooner, a flying dove holding a piece of paper reading "Liberia," and a rising sun in the right of the seal. At right, palm tree leaves, with the signature of James Madison below.

American Colonization Society membership certificate

1833

Learn more about this document signed by James Madison.

Primary Source

Aged paper with text of different sizes and fonts, the top of which says, "178 Sugar and Cotton Plantation Slaves!"

Auction catalog of enslaved people from Louisiana

1855

Explore this primary source to learn about the process of buying and selling enslaved people in 1855.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art

The Hunted Slaves

1862

View a depiction of self-emancipated people in the maroon communities of the Great Dismal Swamp.

Work of Art

A group of five Black women wearing white and black headdresses, black cloaks, white blouses, brightly colored skirts, and high-heeled shoes, follows a small boy wearing colorful clothing adorned by feathers, holding a piece of wood and a small ax.

“Festival of Our Lady of the Rosary, Rio de Janeiro, Brazil”

ca. 1770s

View this print of a festival led by enslaved people in Brazil.

Primary Source

Dark orange cover for a pamphlet edition of two speeches by Frederick Douglass

“West India Emancipation”

1857

Read Frederick Douglass’s first use of the phrase “If there is no struggle there is no progress.”

Primary Source