AP African American Studies Resource Archive

AP African American Studies Resource Library

A broadside shows multiple diagrams of a single ship seen from different views. The views illustrate hundreds of captive Africans laying down shoulder to shoulder on multiple layers of the ship.

Slavery and Abolition

1788, 1789

Explore primary sources that worked as propaganda tools for the anti-slavery movement.
 

  • Guided Readings
This oil painting depicts a fugitive enslaved man and woman beset by three mastiff dogs in a marshy landscape. The man crouches between the dogs and the woman, wielding a hatchet in his upraised right hand. Dangling from his clenched left wrist is a pair of manacles, with one cuff broken open. His body has numerous scars and a round brand or tattoo on his left shoulder. The woman is crouched behind him, both arms raised to shoulder height, palms faced outward as she peers over the man's shoulder. The dogs a

The Hunted Slaves

1862

View a depiction of self-emancipated people in the maroon communities of the Great Dismal Swamp.

  • Work of Art
A jet of water in a tiled water fountain labeled 'Yemoja" [also known as Yemayá] in a body of water, topped with a white bust of a woman and, above the bust, a dark neon sign reading "The Surprise."

“Yemayá”

by Grupo Abbilona

View and listen to an Afro-Cuban example of syncretic religious practices.

  • Video
A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

  • Work of Art
A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

  • Primary Source

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