AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A color photograph of a row of ten female Grandassa models with natural, afro-style hair wearing dresses made from brightly colored African-inspired motifs. Three men standing on a small podium behind the models are wearing patterned dashiki shirts. The dark blue wall behind them is covered with posters advertising Black theater performances, shows, and celebrations.

Naturally ’68 at the Apollo Theater

ca. 1968

View a photograph from a key convergence of artists and models amid the Black is Beautiful movement.

Primary Source

Water-color nautical chart of the African continent including a skyline of an ancient African empire flanked by palm trees.

The Discovery of the Americas and the Transatlantic Slave Trade

by Ira Berlin

Explore the origins of the transatlantic slave trade and the plantation system.

Essay

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

The sign for The Crossroads, featuring a ring of three blue guitars (each facing a different direction) on the bottom and the highways 61 and 49 signs above.

Clarksdale: Myth, Music, and Mercy in the Mississippi Delta

by Shelley Ritter

Read about musician Muddy Waters, the blues, and the historical exhibits at the Delta Blues Museum in Clarksdale, Mississippi.

Essay

Photograph of a mural of Robert Johnson (a Black man holding a guitar while wearing a dark suit, white shirt, dark tie, and dark hat), painted in black and white and framed by wisps of smoke, on a purple wall.

Robert Johnson and the Rise of the Blues

by Elijah Wald

Read about Robert Johnson and the rise and evolution of blues music.

Essay

Jackie Robinson

with Jason Butler, Taína Quiñones, and Sandra Trenholm

Explore a comic book about Jackie Robinson’s rookie year and letters written by Richard Nixon and Robert Kennedy to Jackie Robinson about the Civil Rights Movement.

Video

The Life and Work of Phillis Wheatley

with Krystal Mackie, Jeanette Providence, and Sandra Trenholm

Discover the eighteenth-century poet who was enslaved, became free, and built a lasting legacy.

Video

Black and white print of Black men, women, and children reading the news of their emancipation.

The Union Army and Juneteenth

1865

Learn more about the origins of Juneteenth through this print.

Primary Source

Prince Demah’s name written on the wooden stretcher of a painting

Painting Independence in Boston: Prince Demah

by Jennifer Van Horn

Learn more about an enslaved artist during the American Revolution.

Essay

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

AP African American Studies Resource Library