AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain’t Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

A wooden crucifix sculpture with three crosses stacked vertically, each with a Christlike crucified figure

Christianity and the Kingdom of Kongo

with John K. Thornton

Take a deep dive into Nzinga a Nkuwu (João), Nzinga Mbemba (Afonso), and the Kingdom of Kongo's move to Catholicism.

Video

A black-and-white photograph of James Brown, a Black man wearing a white shirt, sunglasses, a metal bracelet, and wristwatch waving as fans wave pieces of paper and look on in the distance.

The Origins and Elements of Hip-Hop

with Jeff Chang

Learn more about the genres, composers, and performers who developed the building blocks for what would become hip-hop.

Video

Photograph of a multi-buttoned drum machine and sampler. The machine consists of a black plastic box with a small screen in the upper left corner, multiple key pads, and a vertical design of black musical notes along the left, center and right of the box.

The Evolution of Hip-Hop and Breakdancing

with Jeff Chang

Explore the development of turntables, sampling, and breakdancing as key elements of hip-hop artistry and culture.

Video

Three boys playing atop the roof of a blue car, in front of an apartment building with graffiti written on the ground floor.

The Influence of the 1960s and 1970s on Hip-Hop

with Jeff Chang

Explore the importance of place and community on the development and growth of hip-hop in its earliest days.

Video

A white angel with brown hair and a white robe and holding a staff in his left hand speaking to a white woman, her right arm outstretched, and her left hand turning the page of a book. A dove is surrounded by a halo above them. Below both of them is a textile created in Kongo.

Textiles in the Kingdom of Kongo

with John K. Thornton

Learn more about the development of textiles in Kongo.

Video

Augusta Savage, a Black woman, smiling and looking to her left as she holds a small sculpture of an antelope or similar creature in her hands.

Searching for Augusta Savage

with Jeffreen M. Hayes

Learn more about Savage’s art amid the New Negro movement and Harlem Renaissance.

Video

Vinyl record with a brown Columbia records label, adorned with red, white, and blue banners, and the title and artist ("Hope I'll Join the Band," Fisk University Jubilee Singers.)

Songs of the Fisk Jubilee Singers

1909–1924

Listen to early recordings of spirituals recorded and popularized by the Fisk Jubilee Singers.

Video

A stylized post of (from top to bottom) a bearded man atop a horse, held up by a woman.

Òpó (veranda post)

by Olowe of Ise

View a modern example of Yoruba art and design traditions.

Primary Source

A gold staff with two human figures on either side of a spider web.

Staff of Office (ȯkyeame)

Nineteenth to Early Twentieth Century

View an example of a staff held by high ranking officials in West Africa.

Primary Source

A black-and-white photograph of James Weldon Johnson, a Black man wearing a light colored blazer, white shirt, and dark bow tie, seated at a desk, turning left toward the camera. He is holding a telephone in his left hand.

“Lift Every Voice and Sing” as a Hymn to America

by Noelle Morrissette

Explore the meaning and the impact of James Weldon Johnson and John Rosamond Johnson’s hymn.

Essay