AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Lieutenant Uhura (Nichelle Nichols), a Black woman, wearing her Starfleet uniform (red dress with a black collar and a wavy gold band on each sleeve), with a communications earpiece in her left ear, along with green hoop earrings. She has her hands on a bank of buttons connected to an array of four light screens.

Nichelle Nichols as Uhura in “Star Trek”

1968

Learn more about the impact of Nichols and her television role on Star Trek.

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A Black woman wearing a beige jumpsuit with a cinch dancing under a mirrorball reading "Soul Train," as other Black men and women dance around her.

“Soul Train”

1970

Get a sense of Soul Train’s cultural impact through this photograph.

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Michelle Obama, presented in a gray skin tone, in a white dress with patches of colored stripes and triangles in front of a powder-blue background. Her right hand rests on her chin as her left hand rests on her knee.

Portrait of Michelle Obama

2018

View Amy Sherald’s portrait of First Lady Michelle Obama.

Work of Art

A portrait of Barack Obama sitting in a brown wooden chair wearing a black suit and white collared shirt. Surrounding President Obama are leaves and flowers of different varieties.

Portrait of Barack Obama

2018

Take a closer look at Kehinde Wiley’s portrait of the first Black president.

Work of Art

Mary Jackson, a bespectacled Black woman wearing a white lab coat over a dark sweater, white shirt, and brooch, writing on a clipboard as engineering instruments surround her.

Mary Jackson at Work

1977

View an image of the first Black woman to be an engineer at NASA.

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Malcolm X and Martin Luther King Jr. smiling and talking with each other while a police escort stands near.

Martin Luther King and Malcolm X

1964

View a photograph of Martin Luther King and Malcolm X’s only meeting.

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From left to right: a Black woman wearing a white vest and plaid pants kneeling with head raised; John Lewis, a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed while holding a notepad in his left hand; a Black girl wearing a white shirt, shorts, and shoes, kneeling with head bowed; and a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed. All are in front of a brick building with ground-floor windows.

John Lewis at a Prayer Demonstration

1962

View a photograph of members of the SNCC kneeling in prayer in Cairo, Illinois.

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Medal podium at the 1968 Olympic Games. Tommie Smith (the gold medalist, center), a Black man, is wearing a dark blue Team USA jacket (with red and white trim), the gold medal around his neck, and his right hand in a Black Power salute with a black glove on his clenched right fist. John Carlos (bronze medalist, right), a Black man, is also wearing a Team USA uniform (with an unzipped jacket) and mirrors the salute with his left hand. Peter Norman (left), a white man, is wearing a green jacket.

Tommie Smith and John Carlos during XIX Summer Olympics

1968

View a key example of sports as a platform for the Black freedom struggle.

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A button reading "Black is Beautiful," with black text on a white background.

“Kathleen Cleaver on Natural Hair”

1968

Learn more about this element of Afrocentric aesthetics and the embrace of “Black is Beautiful.”

Video

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

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“Nonviolence and Racial Justice”

1957

Explore Martin Luther King’s philosophy toward nonviolent resistance.

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A black-and-white photograph of Martin Luther King Jr. speaking at a lectern. Login Required message is an overlay.

Why We Can’t Wait

1964

Read an excerpt from Martin Luther King’s 1964 book, focused on segregation in Birmingham prior to SCLC’s campaign there.

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