AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Photograph of a multi-buttoned drum machine and sampler. The machine consists of a black plastic box with a small screen in the upper left corner, multiple key pads, and a vertical design of black musical notes along the left, center and right of the box.

The Evolution of Hip-Hop and Breakdancing

with Jeff Chang

Explore the development of turntables, sampling, and breakdancing as key elements of hip-hop artistry and culture.

Video

Three boys playing atop the roof of a blue car, in front of an apartment building with graffiti written on the ground floor.

The Influence of the 1960s and 1970s on Hip-Hop

with Jeff Chang

Explore the importance of place and community on the development and growth of hip-hop in its earliest days.

Video

A white angel with brown hair and a white robe and holding a staff in his left hand speaking to a white woman, her right arm outstretched, and her left hand turning the page of a book. A dove is surrounded by a halo above them. Below both of them is a textile created in Kongo.

Textiles in the Kingdom of Kongo

with John K. Thornton

Learn more about the development of textiles in Kongo.

Video

Augusta Savage, a Black woman, smiling and looking to her left as she holds a small sculpture of an antelope or similar creature in her hands.

Searching for Augusta Savage

with Jeffreen M. Hayes

Learn more about Savage’s art amid the New Negro movement and Harlem Renaissance.

Video

Vinyl record with a brown Columbia records label, adorned with red, white, and blue banners, and the title and artist ("Hope I'll Join the Band," Fisk University Jubilee Singers.)

Songs of the Fisk Jubilee Singers

1909–1924

Listen to early recordings of spirituals recorded and popularized by the Fisk Jubilee Singers.

Video

A stylized post of (from top to bottom) a bearded man atop a horse, held up by a woman.

Òpó (veranda post)

by Olowe of Ise

View a modern example of Yoruba art and design traditions.

Primary Source

A gold staff with two human figures on either side of a spider web.

Staff of Office (ȯkyeame)

Nineteenth to Early Twentieth Century

View an example of a staff held by high ranking officials in West Africa.

Primary Source

A color photograph of W. E. B. Du Bois, wearing a brown pinstriped suit, white shirt, and blue-and-gray checked tie, against a background of multicolored spirals.

“I Lifted Up Mine Eyes to Ghana”

by Keisha N. Blain

Explore W. E. B. Du Bois’s relationship with and advocacy for the anticolonial movement.

Essay

A black-and-white photograph of James Weldon Johnson, a Black man wearing a light colored blazer, white shirt, and dark bow tie, seated at a desk, turning left toward the camera. He is holding a telephone in his left hand.

“Lift Every Voice and Sing” as a Hymn to America

by Noelle Morrissette

Explore the meaning and the impact of James Weldon Johnson and John Rosamond Johnson’s hymn.

Essay

A handwritten document in script.

“Petition of the People of Colour, Freemen,” Philadelphia

1799

Explore this petition referencing the Constitution and the Bill of Rights in support of Black freedom.

Primary Source

A printed page from the newspaper The Freeman's Journal, September 21, 1781.

“Negroes Who Obtained Freedom”

1781

Read a plea from free Black people in Philadelphia to protect their freedom.

Primary Source

A brick building with two round sections on either side, connected via a colonnade topped by a white steeple and flagpole in front of a brick fence.

“Petition to the Virginia House of Delegates”

1784

Read this plea written by Sarah Greene, a formerly enslaved woman caught in a legal fight.

Primary Source