AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

graphic of two men placed at either end of title, man on right is wearing a football uniform while man on left has his arms at his hips.

“Playbill” for “Fences”

1987

View the program for this play by August Wilson, part of his American Century Cycle.

Primary Source

From left to right: a Black woman wearing a white vest and plaid pants kneeling with head raised; John Lewis, a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed while holding a notepad in his left hand; a Black girl wearing a white shirt, shorts, and shoes, kneeling with head bowed; and a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed. All are in front of a brick building with ground-floor windows.

John Lewis at a Prayer Demonstration

1962

View a photograph of members of the SNCC kneeling in prayer in Cairo, Illinois.

Primary Source

Medal podium at the 1968 Olympic Games. Tommie Smith (the gold medalist, center), a Black man, is wearing a dark blue Team USA jacket (with red and white trim), the gold medal around his neck, and his right hand in a Black Power salute with a black glove on his clenched right fist. John Carlos (bronze medalist, right), a Black man, is also wearing a Team USA uniform (with an unzipped jacket) and mirrors the salute with his left hand. Peter Norman (left), a white man, is wearing a green jacket.

Tommie Smith and John Carlos during XIX Summer Olympics

1968

View a key example of sports as a platform for the Black freedom struggle.

Primary Source

A button reading "Black is Beautiful," with black text on a white background.

“Kathleen Cleaver on Natural Hair”

1968

Learn more about this element of Afrocentric aesthetics and the embrace of “Black is Beautiful.”

Video

“Nonviolence and Racial Justice”

1957

Explore Martin Luther King’s philosophy toward nonviolent resistance.

Primary Source

A black-and-white photograph of Martin Luther King Jr. speaking at a lectern. Login Required message is an overlay.

Why We Can’t Wait

1964

Read an excerpt from Martin Luther King’s 1964 book, focused on segregation in Birmingham prior to SCLC’s campaign there.

Primary Source

A Black girl wearing sunglasses, a white blouse, and a white and black/white checkered skirt, holds a book in the crook of her left arm while walking to school. A White girl in the background screams at the Black girl as other White boys and girls, and men wearing helmets, look on.

“Little Rock”

1958

Read this poem written by Afro-Cuban poet Nicolás Guillén after the Little Rock Crisis.

Primary Source

Phillippe Mouillon, a gray-haired White man (wearing a collared white shirt), sitting next to Aimé Césaire, a Black man, wearing a gray jacket, gray shirt, and patterned blue and white tie. Both are sitting in chairs (Mouillon in a wooden chair, and Césaire in a padded office chair upholstered in black fabric), and Césaire is holding a book in each hand.

“Discourse on Colonialism”

1972

Read the preamble to Aimé Césaire’s treatise, a foundational document of the Négritude movement.

Primary Source

Toni Morrison, a Black woman wearing a multicolored sweater, white blouse, and black pants, next to her son Harold (wearing a brown sweater and khaki pants) and Slade (wearing a black shirt and red pants), in front of a multi-story house and trees.

“Culture Zone; Black to the Future”

by Walter Mosley

Read this column on the history of, and potential for, Afrofuturism and Black writers in science fiction.

Essay

A lithographic print juxtaposing two black faces stylized as African masks framed by yellow circular emblems with a black panther in the center. The words [BLACK IS / BEAUTIFUL] are inscribed around each panther. The print appears in quadrants, with one face in three-quarter view in the top left and the other face appearing straight on in the lower left. The panther emblems appear in a grid in the top right and bottom left quadrants, with the top and bottom rows extending across the full print.

“Negro Es Bello II”

1969

View an example of art from the Black Arts movement by Elizabeth Catlett.

Primary Source

A vertical timeline from the 1600s to the 2000s noting direct influences from one genre of African American music traditions in pink lines and indirect cross-influences with white arrows.

The Evolution of African American Music

by Portia K. Maultsby

View how African American music evolved over the course of four hundred years through this timeline.

Secondary Source

“Hey Mama, He Treats Your Daughter Mean”

ca. 1952

Watch Ruth Brown’s live performance of an early R&B song.

Video