AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

An engraving of a Black man identified as "Gopher John." wearing a feathered headdress and tunic. standing on a riverbank as two people paddle a canoe in the background

“Gopher John, Seminole Interpreter”

1863

View a depiction of this Seminole leader and interpreter.

Primary Source

Alain Locke, a Black man, wearing a white suit, vest, and shirt, and a dark tie.

“Negro Youth Speaks”

1925

Read an excerpt from Alain Locke’s book The New Negro, a cornerstone of the New Negro movement.

Primary Source

The head of Countee Cullen, a Black man, with a stylized drawing of his shirtfront (white shirt, black bow tie).

“Heritage” by Countee Cullen

1925

Take a deep dive into Countee Cullen’s vision of Africa through this poem.

Primary Source

Three bathroom doors, labeled "Ladies," "Men," and "Colored."

Segregated Restrooms

ca. 1960

View an example of the impact of Jim Crow.

Primary Source

Approximately thirty-five Black boys and young men standing in a field, wearing striped prison jumpsuits and caps, with shackles linked to belts around their waists, and holding hoes.

“Juvenile Convicts at Work in the Fields”

1903

View a photograph of juvenile convict laborers.

Primary Source

Several men (mostly Black men) in striped jumpsuits sitting and standing. Several of the individuals have dogs sitting with them. Standing behind the prisoners are five (5) men in civilian clothes. In the background is a large tent and a small wooden building among trees. White text in a lighter colored rectangle at the bottom front margin reads "A North Carolina Convict Camp."

Postcard of a North Carolina Convict Camp

ca. 1910

View this publicly shared image of a camp of primarily African American prisoners.

Primary Source

A wood sculpture, painted black, in the form of a standing female figure with arms at sides apart from torso, hands on hips, and feet and legs apart; on her head there is a double-ax motif.

Yorùbá Oshe Shango Ceremonial Wand

19th or 20th Century

View this contemporary piece honoring a traditional Yoruba god.

Work of Art

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A stained glass sign that reads “CITIZENS / SAVINGS / BANK”

Citizen’s Savings and Trust Company Clock

1920–2013

View this artifact of a financial institution founded for the purposes of growing Black wealth.

Duke Ellington, a Black man wearing a light colored jacket, white shirt, and dark tie, playing the piano with his right hand and conducting with his left as a Black man wearing a tuxedo plays guitar in the background.

“It Don’t Mean a Thing”

1943

Watch Duke Ellington and His Orchestra in performance.

Video

A photograph of a chemistry laboratory, with three lab benches in the foreground, midground, and background. Black men in white shirts, dark coats, and dark ties are working at each bench. In the right foreground, framed by a doorway behind him, is George Washington Carver, a mustachioed Black man wearing a dark coat and tie, looking down at another chemist's work.

George Washington Carver’s Laboratory

ca. 1902

Get a sense of the impact of HBCUs on science through the chemistry laboratory at the Tuskegee Institute.

Primary Source

Ten Black men and women sitting and standing while wearing dark suits or dresses. A small table with a dark tablecloth sits in the middle background.

The Jubilee Singers of Fisk University

1875

View a photograph of the Fisk Jubilee Singers just four years after their founding and first tour.

Primary Source