AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Two water fountains: at left, a larger water fountain labeled "white" and a smaller fountain labeled "colored." The labels appear above the fountains.

Segregated Water Fountains

n.d.

See another example of how Jim Crow discrimination was made manifest in the built environment.

Primary Source

A black-and-white photograph of James Brown, a Black man wearing a white shirt, sunglasses, a metal bracelet, and wristwatch waving as fans wave pieces of paper and look on in the distance.

The Origins and Elements of Hip-Hop

with Jeff Chang

Learn more about the genres, composers, and performers who developed the building blocks for what would become hip-hop.

Video

Photograph of a multi-buttoned drum machine and sampler. The machine consists of a black plastic box with a small screen in the upper left corner, multiple key pads, and a vertical design of black musical notes along the left, center and right of the box.

The Evolution of Hip-Hop and Breakdancing

with Jeff Chang

Explore the development of turntables, sampling, and breakdancing as key elements of hip-hop artistry and culture.

Video

Three boys playing atop the roof of a blue car, in front of an apartment building with graffiti written on the ground floor.

The Influence of the 1960s and 1970s on Hip-Hop

with Jeff Chang

Explore the importance of place and community on the development and growth of hip-hop in its earliest days.

Video

Augusta Savage, a Black woman, smiling and looking to her left as she holds a small sculpture of an antelope or similar creature in her hands.

Searching for Augusta Savage

with Jeffreen M. Hayes

Learn more about Savage’s art amid the New Negro movement and Harlem Renaissance.

Video

Vinyl record with a brown Columbia records label, adorned with red, white, and blue banners, and the title and artist ("Hope I'll Join the Band," Fisk University Jubilee Singers.)

Songs of the Fisk Jubilee Singers

1909–1924

Listen to early recordings of spirituals recorded and popularized by the Fisk Jubilee Singers.

Video

A color photograph of W. E. B. Du Bois, wearing a brown pinstriped suit, white shirt, and blue-and-gray checked tie, against a background of multicolored spirals.

“I Lifted Up Mine Eyes to Ghana”

by Keisha N. Blain

Explore W. E. B. Du Bois’s relationship with and advocacy for the anticolonial movement.

Essay

A black-and-white photograph of James Weldon Johnson, a Black man wearing a light colored blazer, white shirt, and dark bow tie, seated at a desk, turning left toward the camera. He is holding a telephone in his left hand.

“Lift Every Voice and Sing” as a Hymn to America

by Noelle Morrissette

Explore the meaning and the impact of James Weldon Johnson and John Rosamond Johnson’s hymn.

Essay

A black-and-white photograph of a Black man wearing a light-colored suit and dark bowler hat walking with a cane in his right hand; in the background is rubble of buildings destroyed in the Tulsa Race Massacre.

Tulsa after the Greenwood Massacre

1925–1926

View silent film scenes of Tulsa’s Black institutions and organizations in the mid-1920s.

Video

A black-and-white still from a film of a graduation procession of Black men in black caps and gowns with Black women in white dresses behind them.

Graduation Ceremony at Langston University

1925

Watch a silent film of a graduation procession at the only HBCU in Oklahoma.

Video

A color photograph of six standing (and one seated) Black men in suits and ties, in front of a metal sign on a wooden easel reading "Alpha Phi Alpha [in Greek letters]: Gamma Iota Lambda."

Alpha Phi Alpha Records

1956-1979

View a collection of photographs and documents from a New York chapter of this “Divine Nine” Black Greek Letter Organization.

Primary Source

A black-and-white photograph of a parade; Black women, most wearing white dresses and hats, march in formation in rows of about twenty. Between two groups of women there is a row of four Black men in dark suits, ties, and hats, holding up large American flags. In the first group of women, one woman holds up a sign reading, "YOUR HANDS ARE FULL OF BLOOD."

Negro Silent Protest Petition on Lynching

1917

Read a response from Black leaders to White supremacist violence, two years before Red Summer.

Primary Source