AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Several men (mostly Black men) in striped jumpsuits sitting and standing. Several of the individuals have dogs sitting with them. Standing behind the prisoners are five (5) men in civilian clothes. In the background is a large tent and a small wooden building among trees. White text in a lighter colored rectangle at the bottom front margin reads "A North Carolina Convict Camp."

Postcard of a North Carolina Convict Camp

ca. 1910

View this publicly shared image of a camp of primarily African American prisoners.

Primary Source

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A stained glass sign that reads “CITIZENS / SAVINGS / BANK”

Citizen’s Savings and Trust Company Clock

1920–2013

View this artifact of a financial institution founded for the purposes of growing Black wealth.

Duke Ellington, a Black man wearing a light colored jacket, white shirt, and dark tie, playing the piano with his right hand and conducting with his left as a Black man wearing a tuxedo plays guitar in the background.

“It Don’t Mean a Thing”

1943

Watch Duke Ellington and His Orchestra in performance.

Video

A photograph of a chemistry laboratory, with three lab benches in the foreground, midground, and background. Black men in white shirts, dark coats, and dark ties are working at each bench. In the right foreground, framed by a doorway behind him, is George Washington Carver, a mustachioed Black man wearing a dark coat and tie, looking down at another chemist's work.

George Washington Carver’s Laboratory

ca. 1902

Get a sense of the impact of HBCUs on science through the chemistry laboratory at the Tuskegee Institute.

Primary Source

Ten Black men and women sitting and standing while wearing dark suits or dresses. A small table with a dark tablecloth sits in the middle background.

The Jubilee Singers of Fisk University

1875

View a photograph of the Fisk Jubilee Singers just four years after their founding and first tour.

Primary Source

Anna Julia Cooper, a Black woman, wearing a black dress with a white center placket, sitting while holding a book.

“A Voice from the South: By a Black Woman of the South”

1892

Read excerpts from Anna Julia Cooper’s book on the importance of Black women’s rights and recognizing their experiences.

Primary Source

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

Primary Source

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

Bert Williams, a Black man, wearing a black coat and white collar.

Representation on the Stage, Screen, and Airwaves

by Kenya Davis-Hayes

Explore the history of Black performance from Reconstruction through the 1960s.

Essay