AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Map of Kansas, Missouri, and Oklahoma with towns pointed out.

The Exodusters and Black Towns, ca. 1900

by Michael Siegel and Rutgers Cartography

Explore an early phase of Black migration after the Civil War through this map.

Thematic Map

Two African American pioneer families in foreground with two children playing on left, two women and a small child near a covered wagon at center and two men drinking coffee around a campfire by a stream.

“Camping Time”

by John Coleman

View a depiction of Black migration during Reconstruction.

Work of Art

At left, a man with a simian face and rumpled clothing, and a dagger in his right pocket. He is holding a club with "A Vote" written on it. He is wearing a hat with a white ribbon reading "5 Points" and a Christian cross tucked into the ribbon. 2. At center, a tall man with a goatee. He has a CSA belt-buckle, a light-colored hat with a large brim and a black ribbon, and a pistol on his left hip. He holds a dagger with "The Lost Cause" written on the blade. At right, a shorter man in a three-piece suit.

The Betrayal of Emancipation

by Thomas J. Davis

Learn more about Black civil rights following Reconstruction.

Essay

Map of the United States Midwest with bar charts noting change in population over time for select cities.

“African American Population in Selected Cities, 1900–1920”

by Michael Siegel and Rutgers Cartography

Visualize some of the impact of the first wave of the Great Migration.

Thematic Map

Image of man sitting and posing for a black and white photograph.

“Hidden Practices”: Frederick Douglass on Segregation and Black Achievement, 1887

by Edward L. Ayers

Analyze a letter written by Frederick Douglass describing his feelings on Black progress.

Essay

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

Handwritten fragment of Abraham Lincoln's last Annual Message supporting the Thirteenth Amendment

Abraham Lincoln and the Passage of the Thirteenth Amendment

by Allen C. Guelzo

Explore Lincoln’s role in the abolition of slavery through the Thirteenth Amendment.

Essay

The image is a sepia-toned portrait of Ida B. Wells, the African American journalist, activist, and anti-lynching crusader. She is shown from the chest up, wearing a high-collared, intricately embroidered lace dress with ruffled details. Her hair is styled in an elegant updo, and she has a composed, determined expression while gazing slightly to the side. The soft lighting and classic photographic style suggest it was taken in the late 19th or early 20th century.

The Persistence of Ida B. Wells: Reform Leader and Civil Rights Activist

by Kristina DuRocher

Learn more about Wells’s fight against lynching, her journalism, and her leadership in the civil rights movement.

Essay

Ayesha Rascoe, a Black woman, is smiling, wearing a tan suit with a white scoop neck shirt, teardrop earrings, and bright pink lipstick. The background is a bright yellow backdrop.

HBCU Made: A Celebration of the Black College Experience

with Ayesha Rascoe

Learn more about the experience of individuals who attended an HBCU.

Video

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay