AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

Primary Source

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

Black men in dark suits and ties (some neckties, some bowties) holding bundled stacks of newspapers on the steps of a brick building topped with a crescent and the words "Muhammad's Temple No. 2."

“Muhammad Speaks” Newspaper Salesmen

1965

View a photograph of the Nation of Islam's official newspaper being prepared for sale.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in “The Liberator”

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

A black and white photograph of Nannie Helen Burroughs, a young Black woman, shown seated from the waist up, wearing a dark hat with a white feather and a white blouse

“How the Sisters Are Hindered from Helping”

1900

Read Nannie Helen Burroughs’s address casting light on the importance of women organizing in Black institutions.

Primary Source

The title of The Christian Recorder newspaper

A Mother Searching for Her Children

1866

View this newspaper advertisement placed by a mother who was sold away from her family.

Primary Source

A broadsheet advertisement (folded into four parts, with crease marks/breaks) entitled "From a Slave Cabin to Riches and a Benefactress to Her Race." Features images of glamorous Black women at the top left, top right, and bottom left corners, and a large building (presumably a department store) in the upper middle of the advertisement.

Advertisement for Madam C. J. Walker Products

ca. 1906–1950

Explore the impact of Madam C. J. Walker’s entrepreneurship through this advertisement.

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“If We Must Die”

1919

Read Claude McKay’s defiant poem, in response to violence against African Americans following World War I.

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A black-and-white photograph of an elderly Black man in a white robe and black kufi hat sitting with eyes closed, plucking a guitar made of a calabash squash.

“Griot Basimana, Mali”

1970

View this photograph, an example of the persistence of African learning traditions.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art

Portrait of Paul Laurence Dunbar, a young Black man, wearing a dark suit and tie and white shirt.

“We Wear the Mask”

1895

Read Paul Laurence Dunbar’s poem, which poses a “mask” similar to Du Bois’s “veil.”

Primary Source