AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

A black-and-white engraving of Solomon Northup, a Black man wearing a white hat, shirt, and pants, sitting on a box, a broomstick leaning against his left arm. Below the image, the name Solomon Northup in handwriting and the words "In his plantation suit"

Solomon Northup Remembers the New Orleans Slave Market

1853

Read an excerpt from Northup’s autobiographical account, Twelve Years a Slave.

Primary Source

A handwritten diary entry in cursive

The Capture of Black Seminoles

1836

Read Gen. Thomas Jesup’s diary entries from the Second Seminole War.

Primary Source

Cover of the Messenger magazine for March 1920, featuring two torches held by disembodied hands on either side of a wreath, within which features the contents of that month's issue.

“Negroes, Leave the South!”

1920

Read an anonymous editorial calling on African Americans to move north, east, and west for safety and opportunities.

Primary Source

A stipple portrait of a mustachioed man identified as "Negro Abraham" wearing a fringed coat and turban, holding a staff in his right hand

“Negro Abraham”

1863

View a depiction of a Black Seminole leader.

Primary Source

An engraving of a Black man identified as "Gopher John." wearing a feathered headdress and tunic. standing on a riverbank as two people paddle a canoe in the background

“Gopher John, Seminole Interpreter”

1863

View a depiction of this Seminole leader and interpreter.

Primary Source

The head of Countee Cullen, a Black man, with a stylized drawing of his shirtfront (white shirt, black bow tie).

“Heritage” by Countee Cullen

1925

Take a deep dive into Countee Cullen’s vision of Africa through this poem.

Primary Source

An abstract painting of people in masks with oversized hands and feet.

“The Jungle (La Jungla)”

1942–1943

View this painting by Afro-Cuban painter Wifredo Lam.

Work of Art

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A map of the Indian Ocean world — Africa, the Middle East, Asia, and Australia — with red lines representing trade routes from the east coast of Africa. Blue arrows indicate typical monsoon seasons (November-February for East Africa, April-September for South Asia).

Map Showing Indian Ocean Trade Routes

by Willie Ryan and Lisa Vann

Explore the connection between the Swahili Coast and the Indian Ocean World.

Thematic Map

Mountain chart showing change over time in Black (single race, non-Hispanic or Latino), Multiracial Black (non-Hispanic or Latino), and Black Hispanic or Latino populations, in beige, green, and tan, respectively.

The Growing Diversity of Black America

2021

Explore changing demographics in the Black population over the course of the twenty-first century.

A sepia photograph of Gwendolyn Bennett, a young Black woman, seated, wearing a dark jumper over a white t-shirt.

“Heritage” by Gwendolyn Bennett

1923

Explore Gwendolyn Bennett’s vision of Africa in this poem.

Primary Source