AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A multicolor (blue, red, tan) map showing the coast of Sierra Leone (blue) and Liberia (red).

African Americans and the Making of Liberia

by Claude A. Clegg III

Explore the founding of Liberia and the impact of the colonization movement.

Essay

A drawing of an older Black man with gray hair, a black coat and vest, and white collared shirt.

Mutual Assistance: Building Black Community Life in Freedom

by Lois E. Horton

Take a closer look at the history of mutual aid society and their activity in Free Black communities.

Essay

Phillis Wheatley, a “Genius in Bondage”

by Vincent Carretta

Explore the life, career, and legacy of the poet who was the first person of sub-Saharan African descent to publish a book.

Essay

A map of the continent of Africa from 1770 shows regions, towns, rivers, and lakes.

The Development of Slavery in the Early Modern Atlantic World

by Michael Guasco

Learn about global systems of slavery in the fifteenth to seventeenth centuries.

Essay

A wedding near a fireplace. The groom is a Black man wearing a dark coat, white pants, and a white shirt. The bride is a Black woman wearing a white dress. Groomsmen and bridesmaids are behind the couple, and the officiant (wearing a dark coat and pants and holding a book) is faced in the couple's direction. Behind the officiant are more witnesses, a bassist, and a clarinetist (the latter musicians sitting).

Dressing Freedom: The Wedding Clothing of Freed People

by Brenda E. Stevenson

Explore the importance of wedding clothing for freed people during Reconstruction.

Essay

A wood sculpture, painted black, in the form of a standing female figure with arms at sides apart from torso, hands on hips, and feet and legs apart; on her head there is a double-ax motif.

Yorùbá Oshe Shango Ceremonial Wand

19th or 20th Century

View this contemporary piece honoring a traditional Yoruba god.

Work of Art

A broadside shows multiple diagrams of a single ship seen from different views. The views illustrate hundreds of captive Africans laying down shoulder to shoulder on multiple layers of the ship.

Slavery and Abolition

1788, 1789

Explore primary sources that worked as propaganda tools for the anti-slavery movement.

Guided Readings

A certificate, with a seal at left reading "Lex in Tenebris" in Latin surrounding a schooner, a flying dove holding a piece of paper reading "Liberia," and a rising sun in the right of the seal. At right, palm tree leaves, with the signature of James Madison below.

American Colonization Society membership certificate

1833

Learn more about this document signed by James Madison.

Primary Source

Scan of a page from Phillis Wheatley's book of poems, 1773.

Phillis Wheatley’s poem on tyranny and slavery

1772

Take a deep dive into one of Wheatley's best-known poems.

Primary Source

Aged paper with text of different sizes and fonts, the top of which says, "178 Sugar and Cotton Plantation Slaves!"

Auction catalog of enslaved people from Louisiana

1855

Explore this primary source to learn about the process of buying and selling enslaved people in 1855.

Primary Source

1808 Engraving of the deck and hold of a slave ship illustrating how little space enslaved people had on board

The Middle Passage

1749

Scrutinize an image and a letter that address the experience of kidnapped Africans on a slave ship.

Primary Source

A scan of the sheet music for Jairus Lincoln's Hymn 17.

American Antislavery Writings

1737–1862

Listen to the words of nine antislavery activists, including Phillis Wheatley, David Walker, Jairus Lincoln, and Frederick Douglass, in poetry, oration, and song.

Interactive