AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Augusta Savage, a Black woman, smiling and looking to her left as she holds a small sculpture of an antelope or similar creature in her hands.

Searching for Augusta Savage

with Jeffreen M. Hayes

Learn more about Savage’s art amid the New Negro movement and Harlem Renaissance.

Video

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We’re the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

A black-and-white photograph of Sojourner Truth, seated, holding sewing materials in her hand; below her portrait is the phrase "I sell the shadow to support the substance."

Black Women’s Activism in Free Black Communities

with Carla L. Peterson

Learn how Black women such as Maria W. Stewart and Sojourner Truth organized for their communities.

Video

A black-and-white photograph of three women, Audre Lorde, a Black woman with an afro at left; Meridel Lesueur, a White woman with white hair and glasses in the center; and Adrienne Rich, a White woman with short black hair, at right.

Black Feminism: A History of Theory and Activism

by Dayo F. Gore

Learn more about the Combahee River Collective and other groups and individuals involved in shaping Black feminism in the twentieth century.

Essay

Front page of the Spotlight on Africa newsletter for April 20, 1954, featuring a group of Black women sitting and standing in a group photo.

Black Internationalism and the Expansive Meanings of Freedom

by Merve Fejzula

Learn more about how those in the Black Freedom struggle came together across the African continent and diaspora in the 1930s through the 1970s.

Essay

A Black Haitian general (wearing a pointed and feathered hat, dark coat with tails and epaulets, white pants, and dark boots) holding a book next to other troops, as a priest in formal robes and holding a staff looks above toward an image of God.

Preliminary Declaration from the Constitution of Haiti

1805

Read a translation of some of Haiti’s founding principles as an independent nation.

Primary Source

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in “The Liberator”

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

A black and white photograph of Nannie Helen Burroughs, a young Black woman, shown seated from the waist up, wearing a dark hat with a white feather and a white blouse

“How the Sisters Are Hindered from Helping”

1900

Read Nannie Helen Burroughs’s address casting light on the importance of women organizing in Black institutions.

Primary Source

A broadsheet advertisement (folded into four parts, with crease marks/breaks) entitled "From a Slave Cabin to Riches and a Benefactress to Her Race." Features images of glamorous Black women at the top left, top right, and bottom left corners, and a large building (presumably a department store) in the upper middle of the advertisement.

Advertisement for Madam C. J. Walker Products

ca. 1906–1950

Explore the impact of Madam C. J. Walker’s entrepreneurship through this advertisement.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art