AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A black-and-white still from a film of a graduation procession of Black men in black caps and gowns with Black women in white dresses behind them.

Graduation Ceremony at Langston University

1925

Watch a silent film of a graduation procession at the only HBCU in Oklahoma.

Video

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We’re the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

Drawing of various sections of the cicada.

Benjamin Banneker’s Study of the Cicada

1800

Read Banneker’s derivation of the seventeen-year cycle of the cicada, one of the first scientists to make this observation.

Primary Source

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain’t Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

A film still of a Black man wearing a light-colored cap and a dark jacket holding a box labeled "Mme. C. J. Walker's Vegetable Shampoo, Indianapolis. Ind., USA."

The Madam C. J. Walker Company on Film

1926

View silent film scenes of Walker’s business empire.

Video

A still from a black-and-white film showing Black men and women, many in straw-boater hats with dark hatbands, marching in a parade. In the foreground is a clarinetist, followed by two American flag bearers marching at the head of the parade.

Juneteenth Flag-Waving Procession, Oklahoma

1920s

See an example of an early twentieth-century Juneteenth celebration in this silent film clip.

Video

A printed poem, "On Being Brought from Africa to America" by Phillis Wheatley

“On Being Brought from Africa to America”

1773

Read Phillis Wheatley’s poem on slavery and Christianity.

Primary Source

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in “The Liberator”

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

“If We Must Die”

1919

Read Claude McKay’s defiant poem, in response to violence against African Americans following World War I.

Primary Source

A black-and-white photograph of an elderly Black man in a white robe and black kufi hat sitting with eyes closed, plucking a guitar made of a calabash squash.

“Griot Basimana, Mali”

1970

View this photograph, an example of the persistence of African learning traditions.

Primary Source