AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain't Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

Joe Louis, a Black man wearing a light colored cardigan sweater and white polo shirt, next to Fidel Castro, a bearded Latino man wearing a dark coat and smoking a cigar held in his left hand.

Joe Louis and Fidel Castro

1960

View a photograph from the boxer’s trip to Havana with a delegation of African Americans in business.

Primary Source

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

Two water fountains: at left, a larger water fountain labeled "white" and a smaller fountain labeled "colored." The labels appear above the fountains.

Segregated Water Fountains

n.d.

See another example of how Jim Crow discrimination was made manifest in the built environment.

Primary Source

John Lewis, a Black man, wearing a dark jacket and tie and white shirt, speaking in front of two microphones on a table.

“The Revolution Is at Hand”

1963

Read the draft of John Lewis’s original planned speech for the March on Washington.

Primary Source

Map of West and North Africa along the Mediterranean coast, with trade routes and kingdoms noted through illustrations.

The Catalan Atlas

1375

View a Euro-centric impression of Africa, including the ruler Mansa Musa, through this map and essay.

Work of Art

A page from a book focused on a title of legislation, "An Act for the Better Ordering and Governing of Negroes and Slaves."

South Carolina Slave Code

1740

Read excerpts from this slave code enacted in a British colony.

Primary Source

Sepia photographic portraits of a man and a woman; the woman is wearing a white shirt with checked trim and an earring; the man is bare-chested, with well-defined musculature. Both have traditional scarification on their cheeks.

“Escrava Mina” and “Escravo Mina”

1864

View two photographs of enslaved people in Brazil.

Primary Source

A color photograph of a row of ten female Grandassa models with natural, afro-style hair wearing dresses made from brightly colored African-inspired motifs. Three men standing on a small podium behind the models are wearing patterned dashiki shirts. The dark blue wall behind them is covered with posters advertising Black theater performances, shows, and celebrations.

Naturally ’68 at the Apollo Theater

ca. 1968

View a photograph from a key convergence of artists and models amid the Black is Beautiful movement.

Primary Source

A green book cover with gold text reading "Harriet, the Moses of Her People"

Harriet, the Moses of Her People

1886

Read an authorized description of Tubman’s escape written by a White woman who had interviewed Tubman.

Primary Source

Title page of The Refugee: or the Narrative of Fugitive Slaves in Canada

Harriet Tubman’s reflection in The Refugee

1856

Read Tubman’s memories of enslavement and freedom in her own words.

Primary Source

An engraving of a bust of a bearded Black man wearing a black suit, white shirt, and dark bow tie, in three-quarter view looking toward the left

“An Address to the Slaves of the United States”

1843

Explore this speech, rejected by the National Colored Convention.

Primary Source