AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A Black Haitian general (wearing a pointed and feathered hat, dark coat with tails and epaulets, white pants, and dark boots) holding a book next to other troops, as a priest in formal robes and holding a staff looks above toward an image of God.

Preliminary Declaration from the Constitution of Haiti

1805

Read a translation of some of Haiti’s founding principles as an independent nation.

Primary Source

A handwritten petition in cursive.

Arkansas Petition for Freedmen’s Rights

1869

Read a petition on behalf of formerly enslaved African Americans on indigenous territory requesting tribal citizenship and benefits.

Primary Source

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We're the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

A woodcut of a Black woman with short hair, her wrists in shackles, kneeling and looking up, with the phrase “Am I Not a Woman and a Sister?” arched above

“Emigration to Mexico”

1832

Explore a perspective on emigration in The Liberator.

Primary Source

Two Black women in military uniform (dark jackets, light shirts and ties, dark skirts and boots) looking on at two rows of other Black women in military uniform standing at attention.

The 6888th Central Postal Directory Battalion

1945

View this photograph of Black women serving in the Women’s Army Corps during World War II.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art

The Hunted Slaves

1862

View a depiction of self-emancipated people in the maroon communities of the Great Dismal Swamp.

Work of Art

A group of five Black women wearing white and black headdresses, black cloaks, white blouses, brightly colored skirts, and high-heeled shoes, follows a small boy wearing colorful clothing adorned by feathers, holding a piece of wood and a small ax.

“Festival of Our Lady of the Rosary, Rio de Janeiro, Brazil”

ca. 1770s

View this print of a festival led by enslaved people in Brazil.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

Dark orange cover for a pamphlet edition of two speeches by Frederick Douglass

“West India Emancipation”

1857

Read Frederick Douglass’s first use of the phrase “If there is no struggle there is no progress.”

Primary Source

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in The Liberator

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source