AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Gwendolyn Brooks, a bespectacled Black woman, wearing a brown and magenta floral shirt and a brown head cover.

“We're the Only Colored People Here”

1945

Read a short story that would grow into Gwendolyn Brooks’s novel Maud Martha (1953).

Primary Source

A white tile mosaic mural of several Black people airborne above buildings.

“Flying Home: Harlem Heroes and Heroines”

by Faith Ringgold

View a fantastical homage to Harlem history through this work of art in the New York City subway.

Work of Art

A group of five Black women wearing white and black headdresses, black cloaks, white blouses, brightly colored skirts, and high-heeled shoes, follows a small boy wearing colorful clothing adorned by feathers, holding a piece of wood and a small ax.

“Festival of Our Lady of the Rosary, Rio de Janeiro, Brazil”

ca. 1770s

View this print of a festival led by enslaved people in Brazil.

Primary Source

Three young Black men wearing tracksuits and white gloves dancing as another young Black man inverts his body on a piece of cardboard. Behind them is a graffitied wall.

Breakdancers in New York

1984

View an example of b-boy culture from 1980s New York.

Primary Source

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

Dark orange cover for a pamphlet edition of two speeches by Frederick Douglass

“West India Emancipation”

1857

Read Frederick Douglass’s first use of the phrase “If there is no struggle there is no progress.”

Primary Source

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in The Liberator

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

Front page of The Colored American newspaper

“Why We Should Have a Paper”

1837

Read the founding manifesto of The Colored American newspaper.

Primary Source

A black-and-white engraving of Solomon Northup, a Black man wearing a white hat, shirt, and pants, sitting on a box, a broomstick leaning against his left arm. Below the image, the name Solomon Northup in handwriting and the words "In his plantation suit"

Solomon Northup Remembers the New Orleans Slave Market

1853

Read an excerpt from Northup’s autobiographical account, Twelve Years a Slave.

Primary Source

The first page of sheet music for "Lift Every Voice and Sing."

“Lift Every Voice and Sing”

1900

Read the lyrics composed by James Weldon Johnson for what has become known as the Black National Anthem.

Primary Source

Portrait of Paul Laurence Dunbar, a young Black man, wearing a dark suit and tie and white shirt.

“We Wear the Mask”

1895

Read Paul Laurence Dunbar’s poem, which poses a “mask” similar to Du Bois’s “veil.”

Primary Source