AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

The sign for The Crossroads, featuring a ring of three blue guitars (each facing a different direction) on the bottom and the highways 61 and 49 signs above.

Clarksdale: Myth, Music, and Mercy in the Mississippi Delta

by Shelley Ritter

Read about musician Muddy Waters, the blues, and the historical exhibits at the Delta Blues Museum in Clarksdale, Mississippi.

Essay

Photograph of a mural of Robert Johnson (a Black man holding a guitar while wearing a dark suit, white shirt, dark tie, and dark hat), painted in black and white and framed by wisps of smoke, on a purple wall.

Robert Johnson and the Rise of the Blues

by Elijah Wald

Read about Robert Johnson and the rise and evolution of blues music.

Essay

Toni Morrison, a Black woman wearing a multicolored sweater, white blouse, and black pants, next to her son Harold (wearing a brown sweater and khaki pants) and Slade (wearing a black shirt and red pants), in front of a multi-story house and trees.

“Culture Zone; Black to the Future”

by Walter Mosley

Read this column on the history of, and potential for, Afrofuturism and Black writers in science fiction.

Essay

Map of West and North Africa along the Mediterranean coast, with trade routes and kingdoms noted through illustrations.

The Catalan Atlas

1375

View a Euro-centric impression of Africa, including the ruler Mansa Musa, through this map and essay.

Work of Art

A cartoon of a young Black man, mouth open, holding copies of The Black Panther newspaper, with a rifle strapped to his back. The front page of the copy in his right hand reads "ALL POWER TO THE PEOPLE."

The Black Arts Movement

by Yasmine Espert

Explore the origins, evolution, and key players and works of the Black Arts Movement.

Essay

Betye Saar, a Black woman, wearing a white shirt with black streaks, her arms crossed. Prints of her art are in the background behind her.

Black is Beautiful: “Something to Behold ... Something One Could Do”

by Elizabeth Carmel Hamilton

Learn more about the works of Betye Saar, Elizabeth Catlett, and Toni Morrison in the context of Black is Beautiful.

Essay

Prince Demah’s name written on the wooden stretcher of a painting

Painting Independence in Boston: Prince Demah

by Jennifer Van Horn

Learn more about an enslaved artist during the American Revolution.

Essay

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

Black women in coats and sweaters dancing as a multiracial crowd looks on from the steps of the Philadelphia Museum of Art (with the Museum's colonnade in the background).

Land of a Thousand Dances

by Lucy Sante

Explore the history, and memory, of Soul Train.

Essay

AP African American Studies Resource Library