AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Image of man sitting and posing for a black and white photograph.

“Hidden Practices”: Frederick Douglass on Segregation and Black Achievement, 1887

by Edward L. Ayers

Analyze a letter written by Frederick Douglass describing his feelings on Black progress.

Essay

The image is a black-and-white portrait of Langston Hughes, the renowned African American poet, playwright, and leader of the Harlem Renaissance. He is shown from the chest up, wearing a suit with a tie and a sweater vest underneath. He has a warm smile and is looking slightly downward, with soft lighting casting gentle shadows on his face. The background is plain, and the photograph has a classic, vintage feel, likely taken in the mid-20th century.

“I Too”: Langston Hughes’s Afro-Whitmanian Affirmation

by Steven Tracy

Explore Hughes' "I, Too" poem, its connection to Walt Whitman, and its role in affirming Black identity in America.

Essay

Handwritten fragment of Abraham Lincoln's last Annual Message supporting the Thirteenth Amendment

Abraham Lincoln and the Passage of the Thirteenth Amendment

by Allen C. Guelzo

Explore Lincoln’s role in the abolition of slavery through the Thirteenth Amendment.

Essay

Six older Black men wearing dark suits sitting on steps in two rows of three.

The WPA Slave Narratives

by Robert C. Williams

Develop an understanding of the nuances behind recording narratives of formerly enslaved people during the Great Depression.

Essay

The Freedmen’s Bureau and African American Families

by Justene Hill Edwards

Understand the roles the Freedmen’s Bureau played in supporting African American families and communities.

Essay

At left, a man with a simian face and rumpled clothing, and a dagger in his right pocket. He is holding a club with "A Vote" written on it. He is wearing a hat with a white ribbon reading "5 Points" and a Christian cross tucked into the ribbon. 2. At center, a tall man with a goatee. He has a CSA belt-buckle, a light-colored hat with a large brim and a black ribbon, and a pistol on his left hip. He holds a dagger with "The Lost Cause" written on the blade. At right, a shorter man in a three-piece suit.

The Betrayal of Emancipation

by Thomas J. Davis

Learn more about Black civil rights following Reconstruction.

Essay

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

Bert Williams, a Black man, wearing a black coat and white collar.

Representation on the Stage, Screen, and Airwaves

by Kenya Davis-Hayes

Explore the history of Black performance from Reconstruction through the 1960s.

Essay

A black-and-white photograph of a young Black girl wearing a white dress, dark sweater, and dark socks and shoes, jumping rope as other Black children look on.

The Great Migration and the Making of Modern America

by Davarian L. Baldwin

Explore the impact of the “Exodus from Dixie.”

Essay

Black and white portrait of Booker T. Washington, three-quarter length, seated, facing front

Frederick Douglass and Booker T. Washington: A Little-known Encounter

by Adele Alexander

Learn the critical differences in attitude and approach taken by Douglass and Washington, and their 1892 encounter at the Tuskegee Institute.

Essay

AP African American Studies Resource Library